Dotmov review
some highlights with beardfridge decoding in italics :
exploiting its textural and dynamic capabilities, whilst subverting its conventional timbre. (can’t play the instrument)
psychosomatic experiences (hearing with the ears)
expresses herself through extended vocal performance. She works with repetitive and minimal gestures of domestic sound and image in a digital medium (can’t sing but owns a computer)
I will be improvising in a small ensemble, while exploring the acoustic relationship of the Old Melbourne Gaol and my instrument. (will adjust the volume)
comprehensive background in media arts site-specific installation in the UK (can play dvds on a computer)
allude to an unworn time and allow the manipulation and experimentation of projection and reflection. (hiss with reverb)
works on the line of improvisation of audio through the use of amplified textures, environments, tape and electronics. (hiss with reverb)
installation based tryptich exloporing themes of anxiety, execution and abstraction (3 bits of prerecorded hiss with reverb)
Utilising found technologies which have been reproduced and are obsolete (too scabby to buy new equipment)
That gig was so shit! I thought Robin Fox’s thing was the worst - kind of like a cross between an Olympic Games opening ceremony and a half-arsed rave party in a prison recreation room (complete with urinal) circa 1994. Not even a handful of ecstacy and a couple of glow sticks would have improved the situation. Switching my bedroom light on and off in time to “Dark Side of the Moon” would have been more Synaesthetic.
Comment by Fuck Follops — July 15, 2006 @ 1:59 pm
when r u going to update this blog. its ace
Comment by joel — May 1, 2007 @ 4:55 am